Preview Program Film Screening

Central Asian Moving Image Screening
by: DAVRA

curated by: Aïda Adilbek

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Logo, DAVRA collective.

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With 8 erweiterte portraits the Kunstverein für Mecklenburg und Vorpommern in Schwerin presents an exhibition that places the work of Austrian photographer Cora Pongracz (1943–2003) in focus. Through the medium of photography Pongracz’s works open a dialogue about identity and a politics of representation that is sensitive towards diversity. In order to reflect both the significance and the potential of Pongracz’s artistic practice in the context of current social discourses, a number of contemporary artists have been invited to respond and relate to Pongracz’s work through their own photographs, texts, performances, and other forms of critical interventions, throughout the exhibition.

For the Days of Exile, the DAVRA collective has curated a dialogical film programme that deals with exile in terms of forced migration, persecution and displacement, as well as the experience of losing an ideological and cultural frame of reference. The film programme thus also addresses an important aspect of Cora Pongracz's biographical experience. Due to her mother's Jewish background, the Pongracz family, originally from Vienna, had to flee into exile in Argentina and could only return to Europe after the end of the Second World War. Her own experience of exile – Cora Pongracz was born in Buenos Aires in 1943 – therefore also constitutes a formative context that is inscribed in her artistic work.

The DAVRA collective works on the exploration, documentation and dissemination of Central Asian culture and knowledge from a feminist-decolonial perspective and opposes colonial appropriations such as (post-)Soviet foreign interpretations. In this context, the concept of exile refers to forced migration, persecution and displacement, as well as to experiences of losing an ideological cultural frame of reference. The collapse of the USSR led to the emergence of new nation states and, at the same time, to feelings of ‘homelessness in one's own country’. A similar moment can be found in the history of the GDR: in East Germany, too, the political upheaval of the (Berlin) Wall falling meant the loss of a familiar social reference system for many people.

Artistic & Managing Director

Hendrike Nagel

Assistant & Program Curator

Luisa Kleemann

Curatorial Assistant

Emma Roy

Agenda

Sponsors

The mediation and supporting program of the Kunstverein is funded by:

Part of the Days of Exile (Körber Stiftung)

Kunstverein für Mecklenburg und Vorpommern in Schwerin